Without serial number tracking you would likely need to recall every one of your products at an extraordinary cost. But with a proper serial number tracking system? Despite all of your products being effectively identical, you use the serial numbers on the returned items to find they came from the same factory. Moreover, the numbers show that all were made in the same production run: you isolate the production runs that used the faulty widget and issue a product recall that affects hundreds, rather than thousands of products.
Icom Serial Number Year Of Manufacture
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After-sales service, warranties and repairs can be dramatically improved if serial number tracking is in place. Especially with complex products with multiple components, such as cars or consumer electronics.
Another excellent post-sales use for serial number tracking is the protection it can provide your customers in the case of theft. A high value item that is stolen and then recovered by police can be definitively linked back to its original owner and returned (and the theft proven) if the serial number is provided when the theft is reported.
The SHACK-IN-A-BOX Extended Warranty Program must be purchased within thirty (30) days of the date the eligible product(s) were purchased. Verification that the Extended Warranty Program was purchased, product purchase date and serial numbers may be required of Buyer.
Products covered by the SHACK-IN-A-BOX Extended Warranty Program may be returned to a factory warranty service center for repairs during the Extended Warranty period. This period begins after the original manufacturers 1 year warranty has expired.
NOTE: All warranty claims are to be filed with the manufacturer during the first year. This is the typical period of warranty for Amateur Radio product. The SHACK-IN-A-BOX Extended Warranty program starts at the conclusion of the new product warranty period of typically 1 year.
Environmental factors have been referred to in the previous section, but will be elaborated upon in relationship to museum buildings, and their component parts. It is perhaps redundant to emphasize that the condition of an object is the result of the sum total of all its exposures to deterioration factors: during storage, conservation treatment, exhibition, and movement (travel). The housing of collections has therefore an important bearing on conservation. Museum architecture is a rather specialized field that does not have a long enough history or experience to offer guidelines and specifications for conservation. While progress has been made in developing newer approaches to exhibition halls, lighting and storage; humidity control, air movement, and filtration still pose great difficulties for the architect and the mechanical engineer. The conversion of older structures for museum use is a complex matter; likewise is the upgrading of the physical environment of museums built years ago. The concept of collaboration between architect and conservation specialist is rather recent. This new approach was incorporated in a number of the conclusions reached at the ICOM-UNESCO Symposium on Museum Architecture, Access, and Circulation, Mexico City 1968.19 Relevant conclusions are extracted:Museums are one of the major cultural and scientific institutions serving human society.
The basic purpose of a museum is to enable the public to know and appreciate, under the best conditions of display, the objects and other items the institution is asked to collect, study, conserve and protect.
The architect should:participate in an advisory capacity in the preparation of the museum program and in the work of a team composed of all the necessary specialists, particularly in the fields of museography, conservation, and psychosociology;cooperate closely with the director of the museum during the entire period of planning the architectural design.
Conservation, one of the essential tasks of a museum, implies that measures are taken, from very beginning of the construction and equipping of the building, to prevent any deterioration due to insufficient, excessive or variable humidity, to avoid pollution of the atmosphere by dust or gases, to ultraviolet rays or to visible light.
It is therefore essential that the plans for new museums and any alterations made in old buildings in order to convert them into modern museums should regularly include such installations and equipment as will ensure conservation under good conditions.
It is therefore recommended that one or more specialists in conservation should be associated in the preparation of the museum program, in the establishment of the building plan and in the various stages of construction.
In some institutions surveys are conducted of museum buildings to establish their conservation-worthiness. Such surveys tend to be detailed, including records of humidity and temperature, and light intensity readings. The American Association of Museums embarked on a Museum Certification Program, a number of years ago, in which among a number of factors, environmental stability is assessed. In Canada, the National Gallery, many years ago, categorized art museums A, B, C, or D in descending order of professional and technical excellence. Building and environmental surveys are not only very important to the occupants and the collections housed, but also to other institutions who wish to lend or borrow objects. An inventory of building survey reports, including reliable historical data on relative humidity, temperature, air quality, and light levels would be very valuable to conservators and exhibition organizers. The weak point is the reliability of the instruments used in surveys, and the selection of locations for measurement of the various factors. 2ff7e9595c
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